Movie Video pg. 20-25
- new ideas for film set ups to introduce a new aspect to intrigue audience
- 1990s- hand made uncut films..dogma
- 1965- projector with tiny pieces
- layers of film and new inspiring ways to get into different way of interpreting film and the viewer or listener
- multiple layering of images or sounds to make the viewer have to focus or not on several different layers
- screens that can be viewed from other sides and all around them hide the viewer from the perspective of the camera....inspired by the Trueman show
- younger generations coming back to the performative approach
- human body still a point of reference
- artists reacting to changing realities
- past ten years video has become and gotten the title of becoming original
- TODAY! video= contradiction, either exclusive or mass produced
Mother + Father pg. 36
- Candice Breitz
- highlights the international community contioned by mass media
- two rows
- taken out of people from Hollywood films
- she focuses on pop scene
- sees pop music as an essential parameter of our globalized world
Dan Graham Video piece for two glass office buildings pg. 54
- pure presence and self suffiecny
- both feilds represent types of codes giving info about social orders and his own self esteem
- his work represents convergence of private and public spheres
- the subjected one dimensional view loses importance
- creates the process of continuous learning and the subjective sense of an endless present time in flux
- 1950s he reintroduced historical memory into his art
Arenout Mik Dispersion Room pg. 68
- random people doing random things and minding their business and then double projection starts this all over again
- instincts and unconscious reactions
- unforeseeable reactions
- simultaneously humorous and shocking (kitchen and men beating each other)
- unfettered frame work of individuals
- imbeds his projects in architecture
- viewers caught in possible flow
- expands the field
of action and the world mass media network, copy, stage for the abyss
Tony Oursler Get Away Number 2 pg. 76
- best known american video artist
- makes dolls (projection of guys face on fabric man at Carnegie)
- exists only as head shapes and have their own characteristics (despair of existence)
- head under mattress (trapped person)
- viewers ready-ness to help
- "hey you get out of here"
- similar to people passing homeless on street talking to themselves
- testifyies to human perspective of human eye and mechanical eye
- demonstrating the act of seeing
- "eye see"
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